I typically run a proverbial mile when I see terms like ‘post-metal’ or ‘progressive’. The metal scene, in general, is awash with such labels at the moment, swapping headbanging for beard-stroking as atmospherics take precedence over riffs. However, in the case of Newcastle-based instrumental four-piece Kylver, a rare exception to the rule emerges.
Their latest album, ‘The Gobi’, embarks on a vast sonic odyssey through the titular desert. Across four tracks spanning nearly an hour, the record moves seamlessly from ominous Hammond organ drones to colossal riffs and thunderous percussion. In paying homage to the Gobi, Kylver incorporate traditional Mongolian melodies with remarkable finesse – particularly in the stellar opener ‘The Frozen Sands’, which evokes both the expansive progressiveness of Camel and the crushing weight of Sleep.
The album’s triumphant closer, ‘Allghoi’, showcases Kylver at their absolute peak, with James Hill’s majestic keyboard work anchoring a masterclass in instrumental storytelling. This is progressive metal that captivates without pretence – a blend of monolithic power, intricate musicianship, and evocative melody. ‘The Gobi’ is a journey well worth taking.
You can listen to the album now on all major streaming platforms.
